Quote:
Originally Posted by DaveHead36
I just don't see this happening. This series isn't really known for its crazy, dramatic twists like that. Not to mention $200,000 would be nothing to Don. This is the guy who just cut his ex wife a check for $1,000,000 at the drop of a hat.
I don't think we will get an ending that has a major twist, is an omg I can't believe that happened or even a Sopranos esque wtf ending. I think it'll be a satisfactorily conclusive ending with not too many surprises but will leave viewers saying "that was a great series".
|
tl:dr The DB Cooper theory works for the character and the show. And not as just a "bit" or a "surprise ending". But as an actually cathartic ending. At the very least, Don's searching for a transcendental moment like Dan Cooper's -- The figurative "plane highjacking".
Came to this theory Sunday by myself, then googled it and apparently it's a big fucking thing that's been around for 2 years, lol. I think there's a lot that supports it within the show, but a lot going against it outside the show (Weiner, viewer expectations, too radical of an ending).
There's been weird moments the last couple episodes blending the show with reality though. Mainly:
Peggy's walk back into the SC&P office when she hears Roger's organ. The music and her reaction happen at kind of the same time. So as the viewer you''re searching for other clues because the noise
sounds like it's part of the soundtrack to the actual tv show you're watching. Then you discover it's Roger playing the part in a Fisher family dream from Six Feet Under. So that bleed happens (
at least for me) where the show goes kinda 'meta' for a second. Not sure what the name of that technique is.
The show also follows news stories pretty closely. Albeit, the ones they choose, but they're still in the world where DB Cooper jumps from a plane within a year from where we're at right now. Putting Don inside the TV without really putting DON inside the TV would be a "bleed" moment WITHIN MadMen... urgh, think about that one for a second.
Plus this whole idea of utopia (Don always searching for it), the recent episode being named after a film/book about a guy brought to utopia via a plane. Dick didn't become successful Don Draper for specific goals like Peggy, "Art Director soon, then this, then that". He thought that being "successful" (aka the American dream) would bring him happiness. And he was so special in his early years in advertising because the American public was asking the same deep questions that Don was in his own mind. Even in episode 1 (S01). Don Draper is out of his mind asking really important questions to things like "men's deodorant" and what deep-down primal urge in women is there to make them want to buy a specific brand for their hubbys. But now (1970) the country isn't really asking those questions.
DB Cooper embodies the perfect device to end the show. To transcend the show in on itself. As 'nothing really lasts', 'nothing really matters', 'is that all there is?'... well, yes. (as it pertains to Don). The act wouldn't be about the money (seems to be everyone's main defense against the theory). It's never been about the money for Don. Or success for that matter. Everything's always been a means to a psychological end. And now, for what he's looking for there isn't a road map or socially acceptable way to get there. He can't survive within society AND achieve his goals.