Quote:
Originally Posted by drfindley
I'm not sure the sonic wins of 45 are enough to justify it, but I'd take it in a heartbeat.
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There aren't many records I've had the chance to compared identical masterings of cut at 33 and 45, but there has been the odd one. One of them I've had similar-minded vinylphiles over for listening sessions during which we've done some comparisons.
We included both the 33 and 45 releases of Peter Gabriel's "So", cut from the original 1/2" 30 ips analog master tapes on the Classic all tube stereo cutting system at Bernie Grundman Mastering by Bernie himself, as well as the 2002 Super Audio CD from Sony, an original 1986 CD and the newest 24-bit remastering that was released during the 25th anniversary. The 45rpm, despite the occasional over-pronounced sibilant, was declared the winner by all handily. We listened only to That Voice Again, doing more than one track would have taken up too much time. I have both 33 and 45 cuts from Bernie of PG II, III and So, the rest I just have the 33s of because I was hesitant to pull the trigger in 2009 at $50/each. D'oh! Kicking myself now.
I also have Bernie's AAA cut of Nirvana's Incesticide, released as a 33rpm by ORG then recut by Chris Bellman for Universal at 45rpm for RSD 2012/20th Anniversary - it's amazing how good the sound can be from these sessions, the 45rpm really does take it to the next level.
I have an original Stone Roses LP plus the 45rpm 1991 special edition, holy smokes, the latter has astounding detail. I've had a few people comment when I play this for them, "I know this album really well, I've never heard it like this" - I Wanna Be Adored is usually the cut I play because of the slow opening.
I don't have any of the Zeppelin 45rpms unfortunately, really sucks that Atlantic pulled the license for Classic to do invidual 45rpm sets of those like they did with the Peter Gabriel catalogue, you can find test pressings through The Music's eBay store but they usually run $600 or more.
Regarding the Chris Bellman vs. Kevin Gray, I have no preference. Both have cut vinyl from digital and analogue but both can cut using an all analogue chain. Chris Bellman, Bernie Grundman, Ryan K. Smith, Kevin Gray or Steve Hoffman, I would really have no preference between these guys cutting AAA.
But yes, absolutely, 33 can sound amazing. The 33rpm Bernie cut of Zeppelin III is usually one of the first records I reach for when I want to demonstrate the potential of a vinyl record for audiophile playback.