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Originally Posted by kinddog
i also had a Panasonic plasma but the Samsung JS9500 with full-array led backlights, HDR, and WCG (along with 4k) was just too good. the edge-lit Samsung's are not good in terms of black level and uniformity... but the full array? totally different ballgame. better than plasma, IMO, and on par with the oled's with higher peak nit brightness levels. i considered the LG oled's but i heard Panasonic will eventually be getting into the oled game and blow the LG's out of the water, so i'll wait for that before going oled. the competition will bring prices down too.
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ANSI contrast and minimum luminance levels are measurable, they are not things that change based on opinions. The JS9500 is not Samsung's top of the line FLAD 4K LED set, that's the KS9800. The 78" $10,000 model was included in this year's HDTV shootout along with the LG 65" G6 OLED and Sony's 75" FALD XBR-75X940D. Okay there was a Vizio set there too but it didn't fare well, coming in dead last in every category except off-axis performance where it was third.
The only category the LG OLED didn't win handily was daytime performance, and people concerned with PQ don't watch TV in a room that isn't light-controlled. Full results -
http://www.avsforum.com/forum/imageh...dbdd6cd2a6.jpg
The measured black level of the Samsung with an ANSI checkerboard pattern is 0.045 cd/m2 which is the equivalent of 0.013 foot lamberts. The LG OLED in the same pattern hits 0 cd/m2, that's 0.00000 foot lamberts or a true black which results in the first TV technology to have a true infinite contrast ratio. There is a very stark difference in performance, particularly when watching any scope content (2.39:1), 4:3 content or content with lots of heightened contrast. When I last attended the shootout the first UHD BD player wasn't out yet but Sony were nice enough to send along a box with a 4K mastered version of Spiderman2 on it. The 1080p sets were fed the signal too converted obviously, while several 4K sets were fed the full resolution. It was stunning detail, but the little 50" 1080p LG OLED (they didn't have a 4K OLED out yet) just blew everyone else away. It was truly a picture floating on the wall as the black bars disappeared, whereas the 4K LED sets were various shades of grey. Nowhere near as noticeable in the day environment testing, but as soon as Value Electronics sealed all the windows it was game over for the LED sets.
LED's shortcomings are why the Ultra HD Premium certification has two standards, one designed for the extremely deep blacks that only OLED can do, and the other to allow LED sets to still pass Ultra HD Premium certification. The certification for LEDs means they can achieve 1000 nits peak brightness (292 fL) and hit 0.05 nits black level (0.015 fL) while OLED must hit 540 nits (157 fL) and hit 0.0005 nits (0.00014 fL). LEDs have no hope of achieving these sort of black levels with any sort of content on the screen (with a 0 IRE black test pattern they simply turn the entire screen off which is why ANSI test patterns are used, you want to see black level performance with content on the screen to get a better idea of what real world performance will be) and given Samsung's global power, two certifications were agreed upon.
Panasonic brought out their 4K OLED at the end of Summer 2015 to the EU market. Regular HDTV shootout expert attendee David Mackenzie reviewed it in January of this year and said "Panasonic’s video processing and panel driver combined with LG Display’s OLED is the combination we’ve been waiting for, and while the CZ952/ CZ950 is not a perfect product, it still produces the overall best image we’ve seen from a TV."
Keep in mind Panasonic source all their OLED panels from LG, while everything else behind the panel is Panasonic who bring their huge industry expertise in encoding Blu-ray discs at Panasonic Hollywood Labs for 20th Century Fox, Buena Vista/Pixar/Disney, along with their professional camera expertise, former Pioneer display experts, etc., to the table so it's no surprise they have once again created the best possibly display on the market. I look forward very much to the North America market seeing Panny OLEDs but I'm still about 2 years away from considering an upgrade so my 60"VT60 Kuro-killer will suffice for now.
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at the end of the day, this is the first Blu-Ray i've ever even HEARD OF where the video content on the disc is not HD quality (i.e. 720 or higher). i assumed something very easily assumable. i know i am not the only person who equates "blu-ray" with "high definition". after all, that was the original damn purpose of blu-ray technology! it would have helped if on the order page, there was a large disclaimer saying "this is NOT in high definition video" or something of the like.
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The original purpose of the technology was to replace DVD for use in every facet; data archiving, audio and video recording, software distribution, video games, etc. The first specification was announced in 2002 four years before the format finally launched as a next generation optical disc format. There are hundreds of Blu-ray Disc releases without ANY video content on them!
You are definitely not the only one who equates Blu-ray with high definition, mob mentality doesn't mean it's right. I'm sure lots of people would be surprised to know that the second Star Wars movie for example was filmed at 1440x1080 and doesn't acheive full Blu-ray resolution, 28 Days Later (other than the final scene where Cillian Murphy hits the roads in London) was filmed with a Canon camera with maximum 600 lines resolution, several concert Blu-rays from Eagle Rock (Knebworth for example, featuring Phil Collins, Dire Straits, Eric Clapton, Tears for Fears, Paul McCartney, Pink Floyd) and a few from Warner Brothers like Dire Straits Alchemy (see the official trailer for the quality of that one here, advertised as "now finally restored to pristine High Definition visual clarity" despite the source material being VHS -
https://www.youtube.com/watch?v=mqiHnXBWaoY).
I don't think you'll have any issues selling your copy online.
Completely transitioning to 4K will be some time coming for concert releases. We're only just now seeing full 4K workflows for major hollywood motion pictures grossing tens of millions of dollars and up. Fox are still shooting the World Series in 720p with the exception of a few replay cameras at 4K and 300 fps or something like that. It'll come, but you'll see the usual suspects like Peter Gabriel I'm sure releasing Ultra HD Blu-ray concerts long before DMB does. Filament currently use the Sony HSC 100 cameras which are capable of up to 1080i60 (they're US$18k/each).
https://pro.sony.com/bbsc/ssr/product-HSC100R/