Quote:
Originally Posted by mikedevoss6
2. Gmaj7 Cmaj7 Bm7 E7 Am7 D7 Gmaj7 Dm7 G7 Cmaj7 C#m7 F#7 Bm7 E7 Am7 D7
Keys: G C B A
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as for this second one... I'm hearing 4 sections:
Code:
Gmaj:
Gmaj7 - Cmaj7 - Bm7 - E7 - Am7 - D7 - Gmaj7
I - IV - iii - V/ii- ii - V7 - I
keeping in mind that ii and V both serve dominant funtion... tonicizing ii and leading to V are all still preparing you for the tonic I
Code:
Cmaj:
Dm7 - G7 - Cmaj7
ii - V7 - I
Code:
Bmin:
C#m7 - F#7 - Bm7
ii - V7 - i
Code:
Dmaj:
E7 - Am7 - D7
ii - V7 - I
with this one... the fact that it lands on a dominant 7th chord would suggest that it repeats back to the G at the beginning.. in which case you'd have a progression much like the first one with E being a V/ii, A being the ii, D7 being your V7 and G being your I. Being that you used that exact progression for the first sequence in G, it's quite possible.
see a pattern here?
you throw 7th on yoru chords and your can go ii-V-I through the circle of 5th all day using I as a pivot chord!