By Leah Greenblatt http://img2.timeinc.net/ew/dynamic/i...enblatt_sm.jpg
Leah Greenblatt
For all the immortality it imparts, rock & roll has a way of taking its practitioners before their time. Like the Who,
Metallica, and many more before them, the Dave Matthews Band have faced the sudden loss of a founding member: Saxophonist LeRoi Moore died last August from injuries incurred in an ATV
accident, midway through the recording of their latest album. His spirit — and his sound — looms large, however, on
Big Whiskey. The GrooGrux King of the title references Moore, as does the figure at the center of
Whiskey's intricate cover art (drawn by
Matthews himself); his sweet, solitary sax flourishes even bookend the album.
Moore's death is also undoubtedly the
reason that a group best known for its
jammy, freewheeling geniality floats some uncharacteristically heavy vibes here,
resulting in several jarring tonal shifts. The tense, mournful ''Time Bomb,'' foreboding ''Squirm,'' and dopey philosophy-lite lead single, ''Funny the Way It Is,'' all reflect — with varying success — on the vagaries
of fate, while the swamp-rocky ''Alligator Pie'' puzzlingly alternates grim references to Hurricane Katrina and shout-outs to one of Matthews' young daughters. When the focus turns romantic, and at times even explicitly sexual, the horn-laden ''Shake Me Like a Monkey'' and salacious ''Seven'' play rowdy yin to the tender, intimate yang of ''You and Me'' and ''My Baby Blue.'' Throughout, the spectre of death rarely recedes, but life — embodied by the proto-DMB revelry of ''Why I Am'' — still prevails.
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