Quote:
Originally Posted by Coachman76
In my personal opinion, DMB has been overproducing their songs in the studio since Everyday.
BTCS was crafted, but it wasn't crafted in such a way to where the songs couldn't sound the same live as they did in the studio.
Off the top of my head, these are DMB songs that are nearly impossible to play full band live and sound even remotely like what they did in the studio;
I Did It
Busted Stuff
If Only
Broken Things
Rooftop
Sleep to Dream Her
Mother Father
Dreams of Our Fathers
Dreamgirl
American Baby
Everybody Wake Up
Hunger for the Great Light
Time Bomb
Kit Kat Jam (Lillywhite Sessions or Busted Stuff version)
Baby Blue
Grux > Shake Me Like A Monkey
Gaucho
A lot of this is just laziness, a lot of this is covering flaws *cough* Boyd *cough*, a lot of this is Dave and idiots like Glen Ballard being Tyrants in the studio and basically handing out parts to people and saying PLAY THIS. Steve Lillywhite couldn't save AFTW because the band refused to work up to the same standards as he demanded during UTTAD, Crash and BTCS. They refused to work, they refused to practice, they refused to tell Dave, Glen Ballard, Stephen Harris and Mark Batson to go fuck themselves and create a collaborative record together.
Pink Floyd had massive production on most of their records and it translated into great live performances of that production because they asked the question "How will this material translate live? Can we reproduce it accurately on stage?" I don't think DMB has ever done that since The Lillywhite Sessions were trashed for Everyday.
|
I get your point but I don't think the problem is making a studio track that doesn't translate identically to a live show.
For example, I don't listen to Baby Blue live and think "pfft, doesn't sound like the studio." A good song is a good song - almost every band I can think of plays certain songs live differently than in studio. In fact, Two Step sounds very different live than on Crash.
As for Broken Things, he might just flat out not like playing the song and/or it might not be the funnest to play and/or the crowd response isn't particularly strong. For me, it is one of those songs that I would like to hear just to cross it off the list - call it a more updated version of why I would be excited to hear Let You Down at a show.