Quote:
Originally Posted by mmish84
what do you mean by "notably better dynamics"
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The dynamics on all the Live Trax series, DMB Live releases, bonus discs, etc., have been pretty piss poor going back to around 2001. Finally around 2009, which happens to be around the time I started pleading with RLM to stop mastering everything so loudly after hearing how fucking AWFUL the CD of Big Whiskey sounded, it started to get better. The 1994 Tampa DMBLive release that just came out has the most dynamics of any DMB release since Remember Two Things, which means you can TURN IT UP and enjoy the wonderful dynamics that occur when live music is played, versus the over-compressed dynamically-challenged sound of, say, Live Trax's 2, 5, 8, 13, Central Park, Folsom Field, WH8's vol 1, 2, 3, 4 and 5, etc., etc.
Here's a list of DMB releases in order of the year of release -
http://www.dr.loudness-war.info/inde...year&order=asc
The first column is the average dynamic range. As you move through the 2000's you'll see lots of 6's and 7's which are not good and 8's are only a little better. Moving past Big Whiskey you start to see more 9's coming out which is notably better than a 6 and really the minimum DR you want to see, and even some 10's and 11's which are most welcome ending in the recent DMBLive from Tampa which scores a 13, the kind of dynamic range you used to see in the 80's.
To understand the detrimental effects heavy-handed dynamic range compression has on music you can watch this video but you need to keep the volume the same throughout otherwise the effect is lost. I'd start at around 50% volume.
The Loudness Wars -
http://www.youtube.com/watch?v=3Gmex_4hreQ
I don't expect the bonus disc to be as dynamic as some of the recent early 90's releases the band has done which is a shame, but if it has similar dynamics to the last two WH8's then I guess we should be thankful for small mercies that it's not as crushed as some of the early WH5's and WH8's.